Philosophy
Odd convergences. News this morning that Odetta has passed away. A powerful voice for positive change, she embodied the authentic power that music has to make thye world a better place. At the same time, I've been pondering over a conversation I had this weekend with Alyson Gilbert, a country singer whom some may recognize from the television show Nashville Star on which she was a competitor. The producers of the program chose to put her in the country diva/pageant queen/bad girl role, but in reality nothing could be further from the truth. A kind and warm person (with an incredible voice), it brought home the way in which corporate interests harness the power of music to create an alternate reality, a fantasy world, designed first and foremost to make money. Starting perhaps with the Monkeys, there is the sense that pop stars can be created wholecloth by marketers, appealing to people's needs that go unsatisfied by life in contemporary culture and filling the gaps with the aesthetic equivalent of soylent green.
So, the combination of these two has left me thinking about the direction in which music is headed. It is a powerful force, but a force for what? With every band having its own MySpace page and the number of shows available for free download on sites like archive.org, is the role of the corporate gatekeeper declining in the way some claim? Are we seeing a democratization of access? Has the ipod and itunes ushered in the end of the age of the album in which music was produced and released in 45-60 minute chunks? Will this change how music is made and disseminated? How important is live performance? Does it become more important because that is the only place a performer can make a living or does it become a relic? What does any of this mean in terms of the power music has to make this society more fair, equitable, and good?
- Is There Progress In Art? Society?
I'm working through Max Weber's methodological essays and one of the points he argues is that social progress is a myth. Across the ideological spectrum of founding fathers of sociology, from Marx's communist view to Spenser's free...
- While Some See Philip Glass As Half Full
Today is Philip Glass' 75th birthday. One might claim that he is the last major symphonic composer. Provocatively, one might even claim that he could be the final great symphonic composer. With film scores becoming more and more...
- Rock 101: We Do Need Some Education
TheWife is not a popular music person, so around the house we tend to play world, jazz, or classical. But as Christmas approached, she voiced the concern that the kids might be alienated from their peers because they aren't listening to anything pop....
- Is Comedy Like Music?
Friends, This weekend we have a theological questions for all you thoughtful Comedists. I was listening to an interview with Ron White and the interviewer framed the question in terms of the Allman Brothers, whom White and the interviewer were both fans...
- Kxtr Classic 1660 Halloween Special
Patrick Neas is KXTR's Program Director and Morning Show Host from 6am to10am, Monday through Friday. Patrick has been waking up Kansas City area music lovers for more than ten years with a lively mix of uplifting and inspiring classical music, traffic,...
Philosophy
Music, Corporate Culture, and Social Change
Odd convergences. News this morning that Odetta has passed away. A powerful voice for positive change, she embodied the authentic power that music has to make thye world a better place. At the same time, I've been pondering over a conversation I had this weekend with Alyson Gilbert, a country singer whom some may recognize from the television show Nashville Star on which she was a competitor. The producers of the program chose to put her in the country diva/pageant queen/bad girl role, but in reality nothing could be further from the truth. A kind and warm person (with an incredible voice), it brought home the way in which corporate interests harness the power of music to create an alternate reality, a fantasy world, designed first and foremost to make money. Starting perhaps with the Monkeys, there is the sense that pop stars can be created wholecloth by marketers, appealing to people's needs that go unsatisfied by life in contemporary culture and filling the gaps with the aesthetic equivalent of soylent green.
So, the combination of these two has left me thinking about the direction in which music is headed. It is a powerful force, but a force for what? With every band having its own MySpace page and the number of shows available for free download on sites like archive.org, is the role of the corporate gatekeeper declining in the way some claim? Are we seeing a democratization of access? Has the ipod and itunes ushered in the end of the age of the album in which music was produced and released in 45-60 minute chunks? Will this change how music is made and disseminated? How important is live performance? Does it become more important because that is the only place a performer can make a living or does it become a relic? What does any of this mean in terms of the power music has to make this society more fair, equitable, and good?
- Is There Progress In Art? Society?
I'm working through Max Weber's methodological essays and one of the points he argues is that social progress is a myth. Across the ideological spectrum of founding fathers of sociology, from Marx's communist view to Spenser's free...
- While Some See Philip Glass As Half Full
Today is Philip Glass' 75th birthday. One might claim that he is the last major symphonic composer. Provocatively, one might even claim that he could be the final great symphonic composer. With film scores becoming more and more...
- Rock 101: We Do Need Some Education
TheWife is not a popular music person, so around the house we tend to play world, jazz, or classical. But as Christmas approached, she voiced the concern that the kids might be alienated from their peers because they aren't listening to anything pop....
- Is Comedy Like Music?
Friends, This weekend we have a theological questions for all you thoughtful Comedists. I was listening to an interview with Ron White and the interviewer framed the question in terms of the Allman Brothers, whom White and the interviewer were both fans...
- Kxtr Classic 1660 Halloween Special
Patrick Neas is KXTR's Program Director and Morning Show Host from 6am to10am, Monday through Friday. Patrick has been waking up Kansas City area music lovers for more than ten years with a lively mix of uplifting and inspiring classical music, traffic,...