Philosophy
Lovingly crafted by comics creator Kerry Callen, the image is one of four he made to test his hand at injecting movement into iconic superhero art.
“I picked the Iron Man cover just because it was so goofy, I’d thought it would be fun to animate,” Callen told Wired.com in an e-mail. “Even though it has the simplest motion, it’s the only one where I tried different approaches before settling on the silly solution I did.”
The jittery makeover of the 1979 “Demon in a Bottle” cover seems like the perfect complement to the Iron Man story arc, which follows Marvel Comics’ playboy industrialist as he struggles with alcoholism. Callen also animated covers from The Amazing Spider-Man, Batman: The Dark Knight Returns and Justice League of America, carefully picking images that suited the project.
“I wanted to find covers that would ‘loop’ as an animated image,” Callen said. “Secondly, I wanted variety. I chose one with a flowing motion, one with flashes of light, and one that spins. Each is basically a different exercise in execution.”
In Callen’s reworking of the Justice League No. 6 cover, subtitled “Wheel of Misfortune,” DC Comics superheroes including Aquaman and Flash finds themselves strapped to a spinning torture device.
In his animated version of Frank Miller’s The Dark Knight Returns cover, Batman swoops across a lightning-streaked sky.
And in Callen’s take on Amazing Spider-Man No. 33, Spidey is trapped under debris as water flows into a flooding laboratory.
Despite the incredibly vivid look of the moving images, Callen said creating the animated GIFs “wasn’t difficult at all.”
“I used Photoshop to cut the images apart and redraw areas as needed, then animated them,” said Callen, who has worked in the graphic-design field for 25 years and lives in Kansas City, Missouri.
“It’s hard to say how long it took me,” he continues. “I started a couple of months ago and did 15 to 30 minutes here and there, while watching TV sometimes. The easiest one probably took three hours, while the Spider-Man cover probably took 10 hours. There was trial and error involved in some cases.”
Callen published the GIFs on his blog, May Contain Content, where he regularly posts comic parody and commentary.
The superhero animations flowed from Callen’s work several years ago on motion lenticular images.
“Some people call them ‘magic motion,’ as seen on greeting cards and such,” Callen said. “I really enjoyed doing very simple animation, and recently had the urge to do something similar. I’m a comics fan, and it occurred to me that I’ve never seen famous covers animated, so I thought, ‘Hey. I could do that!’”
Previously, Callen wrote and illustrated the Halo and Sprocket comic book series, which followed the adventures of a single woman, an angel and a robot. (“If you can find the first collection, Halo and Sprocket: Welcome to Humanity, it’s more fun than a barrel of cover GIFs,” Callen says.)
Callen said he’s toying with the idea of restarting Halo and Sprocket and has other animated comic book cover ideas banging around in his head.
“They’re too fun not to do again,” he said.
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Philosophy
Amazing .gifs of super hero comic books
"Iron Man Gets the Shakes and Other Superheroic Animated GIFs"
by
Lewis Wallace
December 1st, 2011
Wired
by
Lewis Wallace
December 1st, 2011
Wired
Lovingly crafted by comics creator Kerry Callen, the image is one of four he made to test his hand at injecting movement into iconic superhero art.
“I picked the Iron Man cover just because it was so goofy, I’d thought it would be fun to animate,” Callen told Wired.com in an e-mail. “Even though it has the simplest motion, it’s the only one where I tried different approaches before settling on the silly solution I did.”
The jittery makeover of the 1979 “Demon in a Bottle” cover seems like the perfect complement to the Iron Man story arc, which follows Marvel Comics’ playboy industrialist as he struggles with alcoholism. Callen also animated covers from The Amazing Spider-Man, Batman: The Dark Knight Returns and Justice League of America, carefully picking images that suited the project.
“I wanted to find covers that would ‘loop’ as an animated image,” Callen said. “Secondly, I wanted variety. I chose one with a flowing motion, one with flashes of light, and one that spins. Each is basically a different exercise in execution.”
In Callen’s reworking of the Justice League No. 6 cover, subtitled “Wheel of Misfortune,” DC Comics superheroes including Aquaman and Flash finds themselves strapped to a spinning torture device.
In his animated version of Frank Miller’s The Dark Knight Returns cover, Batman swoops across a lightning-streaked sky.
And in Callen’s take on Amazing Spider-Man No. 33, Spidey is trapped under debris as water flows into a flooding laboratory.
Despite the incredibly vivid look of the moving images, Callen said creating the animated GIFs “wasn’t difficult at all.”
“I used Photoshop to cut the images apart and redraw areas as needed, then animated them,” said Callen, who has worked in the graphic-design field for 25 years and lives in Kansas City, Missouri.
“It’s hard to say how long it took me,” he continues. “I started a couple of months ago and did 15 to 30 minutes here and there, while watching TV sometimes. The easiest one probably took three hours, while the Spider-Man cover probably took 10 hours. There was trial and error involved in some cases.”
Callen published the GIFs on his blog, May Contain Content, where he regularly posts comic parody and commentary.
The superhero animations flowed from Callen’s work several years ago on motion lenticular images.
“Some people call them ‘magic motion,’ as seen on greeting cards and such,” Callen said. “I really enjoyed doing very simple animation, and recently had the urge to do something similar. I’m a comics fan, and it occurred to me that I’ve never seen famous covers animated, so I thought, ‘Hey. I could do that!’”
Previously, Callen wrote and illustrated the Halo and Sprocket comic book series, which followed the adventures of a single woman, an angel and a robot. (“If you can find the first collection, Halo and Sprocket: Welcome to Humanity, it’s more fun than a barrel of cover GIFs,” Callen says.)
Callen said he’s toying with the idea of restarting Halo and Sprocket and has other animated comic book cover ideas banging around in his head.
“They’re too fun not to do again,” he said.
- Comic Book Art Values
"The World’s Most Expensive Comic Book Art (And Why Prices Keep Climbing)" by Angela Watercutter September 5th, 2012 Wired Barry Sandoval, the man who heads up Heritage Auctions’ comics sales, joined what he calls the “million-dollar club”...
- Deceased--sheldon Moldoff
Sheldon Moldoff April 14th, 1920 to February 29th, 2012 "Sheldon Moldoff, Batman Comic Book Artist, Dies at 91"byDaniel E. SlotnikMarch 8th, 2012The New York TimesSheldon Moldoff, who drew some of the most recognizable superheroes of comic books’ golden...
- Deceased--joe Simon
Joe Simon, right, and fellow comic book industry pioneer Jack Kirby created Captain America in 1941 and went on to become "the first superstar creators of comics." Joe Simon October 11th, 1913 to December 14th, 2011 "Joe Simon dies at 98; co-creator...
- Superman Comic Sold For A Million Bucks
Super hero, super powers, super price--one million bucks. Why do we collect things? Is there a human gene that drives some to spend millions for fine art or one million for a comic book. Well, someone did spend $1, 000, 000 for a fine copy of Action...
- Zoetrope Anniversary
In 1867, the Zoetrope was patented by William E. Lincoln of Providence, R.I. (No. 64,117). The device was the first animated picture machine. It provided an animation sequence of pictures lining the inside wall of a shallow cylinder, with vertical slits...