Philosophy
The report commissioned by the National Film Preservation Board pinpoints the number of works that have survived. Some movies have been found abroad.
by
Susan King
December 4th, 2013
Los Angeles Times
A new study by the Library of Congress reveals some disquieting facts about the country's early film heritage.
Of the nearly 11,000 silent feature films that were produced and distributed in the United States from 1912 to 1929, the report says, only 3,311 are known to exist today — and fewer than half of those, 1,575, exist in their original 35mm release format. The others are either incomplete or survive only in foreign versions or lower-quality formats such as 28mm or 16mm.
Previous studies have documented how many silent feature films were produced in the U.S. during that period. But the Library of Congress report being released Wednesday — "The Survival of American Silent Feature Films: 1912-1929," commissioned by the National Film Preservation Board —is said to be the first definitive study pinpointing how many of these films survived and where elements are located in the world's film archives and with private collectors.
There are many reasons why the majority of silent films have been lost: the deterioration of highly volatile nitrate stock, fire, negligence, the destruction of prints and negatives. Among those that are gone are such noted films as Tod Browning's "London After Midnight" (1927), starring Lon Chaney; the 1926 version of "The Great Gatsby," starring Warner Baxter; and all four of Clara Bow's features produced in 1928.
Lost silent films, though, are still being discovered. Mary Pickford's 1911 short "Their First Misunderstanding" was recently found in an old barn and preserved by the Library of Congress. And it was announced in 2010 that 75 American silent films had been discovered at the New Zealand Film Archive, including John Ford's lost 1927 "Upstream," and repatriated to the major archives — the Library of Congress, the Academy Film Archive, UCLA Film and Television Archive, the George Eastman House and the Museum of Modern Art.
In fact, the survey points out that of the 3,311 films that survive in any form, 886 were discovered in other countries — 24% of them have been repatriated — with the Czech Republic holding the largest collection of silent American films outside of the United States.
The study was written by historian-archivist David Pierce, who also has created an inventory database of information on archival, commercial and private holdings that, according to the study, will aid in repatriation of lost American films. The survey is one of several Congressionally mandated studies of America's film and recorded sound heritage.
"Unfortunately, there is so much that's already been lost," said Steve Leggett, program coordinator for the National Film Preservation Board of the Library of Congress. "But this study identifies some that are around. You really just don't know sometimes until you get over to these [international] archives — there may be other stuff unidentified because it's in a different language or they put American films aside because they focus on their own countries' output. So hopefully, there are some more gems."
The study, he said, gives a "snapshot of what the current situation is — just to get a list of what titles we think survive and where they are. We are not going to be able to afford to get all of them, but to prioritize some of the titles you might want to get."
On the set: movies and TV
"This report is invaluable because the artistry of the silent film is essential to our culture," Oscar-winning director Martin Scorsese, who also is a film preservation advocate and has helped preserve countless films through the Film Foundation, said in a statement.
"Any time a silent picture by some miracle turns up, it reminds us of the treasures we've already lost," said Scorsese. "It also gives us hope that others may be discovered. The research presented in this report serves as a road map to finding silent films we once thought were gone forever and encourages creative partnerships between archives and the film industry to save silent cinema."
The report...
"The Survival of American Silent Feature Films: 1912–1929" by David Pierce
Reviews of the Rare and Obscure
- "too Much Johnson" Redux
Joseph Cotton and Edgar Barrier in the 1938 Orson Welles film Too Much Johnson. "Orson Welles lost film screened in Italy" Too Much Johnson, a silent film made by Orson Welles in 1938 and lost for three decades, has been restored and is being screened...
- Being The First...first Nude Scene In A Motion Picture
I really wonder if it the first? Her name is Audrey Munson and the film is Inspiration [1915]. Wikipedia said that "All copies of the movie are believed to have been lost." If so, where did the still photo originate? Nevertheless... From the beginning...
- Deceased--miriam Hansen
Miriam Hansen April 28th, 1949 to February 5th, 2011 "Miriam Hansen, a Scholar of Cinema, Dies at 61" by Margalit Fox February 12th, 2011 The New York Times Miriam Hansen, a scholar of cinema who studied not only film itself but also the early 20th-century...
- Deceased--"baby" Marie Osborne
Marie Osborne November 5th, 1911 to November 11th, 2010 "Baby Marie Osborne, Silent-Film Child Star, Dies at 99" by Robert McFadden November 17th, 2010 The New York Times They called her Baby Marie Osborne, and in silent films nearly a century ago she...
- Industrial Light And Magic...thomas Smith
Pretty much dinosaurs of the past are the well-crafted [mostly] educational films distributed usually through the Encyclopedia Britannica Films and the product of independent producers and well-established companies like the Bell System, Centron Productions,...
Philosophy
The Library of Congress and silent films
"Library of Congress study sees troubling loss of silent feature films"
The report commissioned by the National Film Preservation Board pinpoints the number of works that have survived. Some movies have been found abroad.
by
Susan King
December 4th, 2013
Los Angeles Times
A new study by the Library of Congress reveals some disquieting facts about the country's early film heritage.
Of the nearly 11,000 silent feature films that were produced and distributed in the United States from 1912 to 1929, the report says, only 3,311 are known to exist today — and fewer than half of those, 1,575, exist in their original 35mm release format. The others are either incomplete or survive only in foreign versions or lower-quality formats such as 28mm or 16mm.
Previous studies have documented how many silent feature films were produced in the U.S. during that period. But the Library of Congress report being released Wednesday — "The Survival of American Silent Feature Films: 1912-1929," commissioned by the National Film Preservation Board —is said to be the first definitive study pinpointing how many of these films survived and where elements are located in the world's film archives and with private collectors.
There are many reasons why the majority of silent films have been lost: the deterioration of highly volatile nitrate stock, fire, negligence, the destruction of prints and negatives. Among those that are gone are such noted films as Tod Browning's "London After Midnight" (1927), starring Lon Chaney; the 1926 version of "The Great Gatsby," starring Warner Baxter; and all four of Clara Bow's features produced in 1928.
Lost silent films, though, are still being discovered. Mary Pickford's 1911 short "Their First Misunderstanding" was recently found in an old barn and preserved by the Library of Congress. And it was announced in 2010 that 75 American silent films had been discovered at the New Zealand Film Archive, including John Ford's lost 1927 "Upstream," and repatriated to the major archives — the Library of Congress, the Academy Film Archive, UCLA Film and Television Archive, the George Eastman House and the Museum of Modern Art.
In fact, the survey points out that of the 3,311 films that survive in any form, 886 were discovered in other countries — 24% of them have been repatriated — with the Czech Republic holding the largest collection of silent American films outside of the United States.
The study was written by historian-archivist David Pierce, who also has created an inventory database of information on archival, commercial and private holdings that, according to the study, will aid in repatriation of lost American films. The survey is one of several Congressionally mandated studies of America's film and recorded sound heritage.
"Unfortunately, there is so much that's already been lost," said Steve Leggett, program coordinator for the National Film Preservation Board of the Library of Congress. "But this study identifies some that are around. You really just don't know sometimes until you get over to these [international] archives — there may be other stuff unidentified because it's in a different language or they put American films aside because they focus on their own countries' output. So hopefully, there are some more gems."
The study, he said, gives a "snapshot of what the current situation is — just to get a list of what titles we think survive and where they are. We are not going to be able to afford to get all of them, but to prioritize some of the titles you might want to get."
On the set: movies and TV
"This report is invaluable because the artistry of the silent film is essential to our culture," Oscar-winning director Martin Scorsese, who also is a film preservation advocate and has helped preserve countless films through the Film Foundation, said in a statement.
"Any time a silent picture by some miracle turns up, it reminds us of the treasures we've already lost," said Scorsese. "It also gives us hope that others may be discovered. The research presented in this report serves as a road map to finding silent films we once thought were gone forever and encourages creative partnerships between archives and the film industry to save silent cinema."
The report...
"The Survival of American Silent Feature Films: 1912–1929" by David Pierce
Reviews of the Rare and Obscure
- "too Much Johnson" Redux
Joseph Cotton and Edgar Barrier in the 1938 Orson Welles film Too Much Johnson. "Orson Welles lost film screened in Italy" Too Much Johnson, a silent film made by Orson Welles in 1938 and lost for three decades, has been restored and is being screened...
- Being The First...first Nude Scene In A Motion Picture
I really wonder if it the first? Her name is Audrey Munson and the film is Inspiration [1915]. Wikipedia said that "All copies of the movie are believed to have been lost." If so, where did the still photo originate? Nevertheless... From the beginning...
- Deceased--miriam Hansen
Miriam Hansen April 28th, 1949 to February 5th, 2011 "Miriam Hansen, a Scholar of Cinema, Dies at 61" by Margalit Fox February 12th, 2011 The New York Times Miriam Hansen, a scholar of cinema who studied not only film itself but also the early 20th-century...
- Deceased--"baby" Marie Osborne
Marie Osborne November 5th, 1911 to November 11th, 2010 "Baby Marie Osborne, Silent-Film Child Star, Dies at 99" by Robert McFadden November 17th, 2010 The New York Times They called her Baby Marie Osborne, and in silent films nearly a century ago she...
- Industrial Light And Magic...thomas Smith
Pretty much dinosaurs of the past are the well-crafted [mostly] educational films distributed usually through the Encyclopedia Britannica Films and the product of independent producers and well-established companies like the Bell System, Centron Productions,...